What I’m Not Looking Forward to With The Bourne Ultimatum

Bourne

I like the Jason Bourne movies because they’re gritty and real­is­tic (kinda)1 and Matt Damon is much bet­ter as a CIA assas­sin than I thought he would be. When I first saw the pre­view for The Bourne Iden­tity I was so-so with it, but in the years fol­low­ing that first knock-out punch I’ve been hooked like a zom­bie on fresh, deli­cious human brains. The two films so far have been great, but there are a few things I’m not excited about with this third one.

1) Damon has said no more Bourne films after this one.

I under­stand what he’s doing here. He wants to be iden­ti­fied with some­thing else besides Jason Bourne2, but that doesn’t make it any easier.

2) The amaz­ingly cool Brian Cox is gone.

I love Brian Cox. He’s one of the great char­ac­ter actors of his gen­er­a­tion and see­ing his char­ac­ter Abbott kill him­self in The Bourne Supremacy was heart­break­ing for me. I was very dis­ap­pointed when he turned out to be a bad guy because up until that moment that he stabbed his lackey he was just a great amoral character.

3) More shaky cam­era fight scenes.

One of my big crit­i­cisms between the first and sec­ond films was the way hand-to-hand com­bat scenes were filmed. Doug Liman filmed the scene in Bourne’s Paris apart­ment from about 10 feet back, allow­ing you to see what was going on with the knife/pen fight­ing. Paul Green­grass shot the fight scene inside of the house in Ger­many way too close to the action and with far too many edits for my taste. French direc­tor Jean-Luc Godard3 said “Every edit is a lie,” and it’s true. I would have pre­ferred a more con­tin­u­ous feel to the com­bat than a shaky pile up of visuals.

4) No more Franka Potente.

Unless some mir­a­cle hap­pened in that Indian river, Marie’s not com­ing back. That’s too bad.

And unless there’s a huge plot change, this is how it will all go down — the CIA will find Bourne some­where and try to dis­pose of him. Bourne will rely on his train­ing and smarts and will out­wit all of them and over­come his adver­saries. In the end he will be more para­noid than ever.

I’m sure it will be good, though. We’ll see.

  1. If you can say any­thing about these movies it’s that they reignited the James Bond fran­chise. Daniel Craig is no Pierce Bros­nan in Casino Royale. He’s one mean SOB. []
  2. Maybe he shouldn’t do any more of the Ocean’s movies then, either. []
  3. If you don’t know him, Godard was one of the most influ­en­tial mem­bers of the French New Wave move­ment in film. The New Wavers exper­i­mented rad­i­cally with edit­ing, visual style, and nar­ra­tive, and the move­ment has been claimed to influ­ence many movies, from Arthur Penn’s Bon­nie and Clyde all the way to Quentin Tarantino’s Reser­voir Dogs and Wes Andersen’s The Royal Tenen­baums. []

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