Bwana Devil, the First Color, American 3-D Film

Bwana Devil, a 1952 film writ­ten, directed, and pro­duced by Arch Oboler, is con­sid­ered to be the first color, Amer­i­can 3-D fea­ture film. It starred Robert Stack (of “Unsolved Mys­ter­ies” fame), Bar­bara Brit­ton, and Nigel Bruce. And on top of all that it started the 3-D film boom!

Some legacy, huh?

Screen writer Mil­ton Gun­zburg and his brother Julian thought they had a solu­tion for the declin­ing atten­dance with their Nat­ural Vision 3-D1 film process. They tried to shop it around Hol­ly­wood, but no one really had any inter­est. Colum­bia and Para­mount passed on Gunzberg’s pitch. 20th Cen­tury Fox intro­duc­ing Cin­e­maS­cope and weren’t inter­ested in throw­ing another view­ing expe­ri­ence into the mix . Only one man, John Arnold, who headed the MGM cam­era depart­ment, liked it enough to con­vince his bosses to pur­chase an option on the tech­nol­ogy, but they let their option lapse.

To the Gun­zbergs, it appeared that the Nat­ural Vision tech­nique of film­ing was doomed and they were back to square one until a man named Arch Oboler wanted a meet­ing with the them. Oboler, pro­ducer and writer of the pop­u­lar radio show, Lights Out2, was impressed enough to option it for his next film, The Lions of Gulu.

The film was based on a well-known event at the time, the killing of more than 120 work­ers build­ing the Uganda Rail­way for the British at the turn of the cen­tury. The inci­dent was also the basis for “The Man-eaters of Tsavo”, a story writ­ten in 1907 by J.H. Pat­ter­son, the hunter who tracked and killed the animals.

Bwana Devil pre­miered on Novem­ber 26, 1952 at the Para­mount The­atres in Hol­ly­wood and Los Ange­les, CA. The crit­ics hated it but it was a smash with audi­ences. Local pre­mieres fol­lowed in San Fran­cisco on Decem­ber 13, Philadel­phia, Dal­las, Hous­ton and San Anto­nio open­ings on Decem­ber 25 and New York on Feb­ru­ary 18, 1953.

United Artists bought the rights to Bwana Devil from Oboler for $500,000 and a share of the prof­its put the film into wide release in March. After other stu­dios saw the big prof­its that UA was bring­ing in with Bwana Devil, other stu­dios raced to release their own 3-D films and a cool, albeit short lived, trend was begun.3

  1. Nat­ural Vision 3-D is shot with a spe­cial cam­era rig com­prised of two cam­eras, pro­duc­ing a “left eye view” and a “right eye view.” The two result­ing film strips are put together to form one film strip. [↩]
  2. Lights Out was a radio pro­gram fea­tur­ing “tales of the super­nat­ural and the super­nor­mal.” At the time it was immensely pop­u­lar, and was one of the first hor­ror pro­grams. [↩]
  3. An expla­na­tion of the Nat­ural Vision 3-D process came from Dimen­sion 3 and the rest of the infor­ma­tion for this piece came from Wikipedia. [↩]

13. April 2007 by Glenn Vance
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